Beginning as a tentative experiment in the use of the technique known as 'Story Theatre', developed by Paul Sills, and adapted for several shows at the Yale Repertory Theatre by Larry Arrick, this production went from a modest showcase at the Williamstown Theatre Festival, by way of several reincarnations, to Broadway. I directed both the first sketch at Williamstown, and then a second version, with music by Richard Peaslee, also at Williamstown, where it attracted the attention of Zelda Fichandler, Artistic Director of the Arena Stage in Washington. D.C. She took it to the Kreeger Theatre, where, directed by Gene Lesser, it was extremely successful, and from there it was picked up by a group of producers who gave it a home at the Edison Theatre in New York. Subsequently it was produced successfully at several other theatres, most notably in Seattle, at A Contemporary Theatre, proving to be a popular show with audiences each time.


Sophisticated, hilarious, immensely clever

Washington Post

Throw caution to the winds and go see Boccaccio

Baltimore Sun

New & Upcoming

Latest commissions, ideas, concepts, sketches, scripts under construction - Kenneth Cavander is always exploring new subject matter. Among the projects engaging him at present ... Read More


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    The Curse of Oedipus

    • Nominated Best Play, Best Production, including a LA Drama Critics Circle.
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    The Tempest

    • Version of the play by William Shakesepare for contemporary audiences
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    Sir Gawain and The Green Knight

    • Arthurian legend mixes high drama, romance, and danger.
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    C.S. Lewis Beyond Narnia

    • The story of his struggle to solve the mystery of earthly and divine love.
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    The Greeks

    • The story of the Trojan War as dramatized in 10 classic Greek plays, with Christopher Reeve as Achilles.
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    Hawthorne Country

    • Inspired by stories by Nathaniel Hawthorne. Allison Janney and Richard Thomas starred.